Additionally, CM-500 includes fully SysEx compatible LA tone generator similar to CM-32L's. SC-155 adds additional slider controls for master and channel level and panning. Both models have external appearance nearly identical to Roland's earlier CM-32/64-series modules. then rewound or fast-forwarded, the sequencer may not be able to transmit the correct. CM-300 and CM-500 models lack the LCD screen and extended controls of SC-55. Roland, SOUND CANVAS, GS and EFX are Registered in U.S. Other models with comparable tone generators include Roland CM-300, Roland CM-500 and Roland SC-155 sound modules. synth will always play the sounds you want because your sequencer (or an external MIDI controller’s performance) will remember which. Both the Sound Canvas and Sound Brush could be rackmounted alongside each other. Roland’s acclaimed SRX-Series sound expansion boards add additional high-quality sounds to a Roland synthesizer’s excellent built-in. Sound Canvas VA comes with over 1,600 high-quality sounds, 64 different insert effects, global effects like reverb and EQ, and extensive sound editing capabilities.
The selection of effects includes reverb and chorus.Īlongside the SC-55, Roland released the SB-55 (Sound Brush), an inexpensive MIDI sequencer module the same size as the Sound Canvas. First introduced in 1991, Roland’s Sound Canvas series has long been the de facto standard in GS sound modules, and now you can access this classic sound source as a plug-in.
Aimed at PC music enthusiasts, the SC-55 featured 317 instrument patches, including the GS drum kits and additional controllers. It came preloaded with the Roland MT-32's variation bank, but lacked the MT-32's re-programmability. The SC-55 used both PCM and a cut-down version of the LA synthesis engine, to support 24-voice polyphony with 16-part multitimbrality. The SC-55 was the first sound module to incorporate the new General MIDI standard.
Additionally, CM-500 includes fully SysEx compatible LA tone generator similar to CM-32L's.The Roland SC-55 (Sound Canvas) is a GS MIDI sound module released in 1991 by Roland. CM-300 and CM-500 models lack the LCD screen and extended controls of SC-55. Both the Sound Canvas and Sound Brush could be rackmounted alongside each other. You can hook up a sequencer to it and a keyboard. The selection of effects includes reverb and chorus.Īlongside the SC-55, Roland released the SB-55 (Sound Brush), an inexpensive MIDI sequencer module the same size as the Sound Canvas. I have had my Roland SC-155 sound canvas for about 9 years, and it still lives up too todays musical. It was the first in the Roland Sound Canvas series.
The Roland SC-55 ( Sound Canvas) is a GS MIDI sound module released in 1991 by Roland. Ebay Description: The Roland Sound Canvas (SC-88VL) is a 1U half rack (aftertouch and velocity sensitive), 64 voice (multimbral), GS/GM compatible digital synthesizer (editing via MIDI only), featuring an oscillator, a resonant low-pass filter, an ADR envelope, vibrato (with delay), portamento, reverb/chorus/delay, 2-band EQ, 654 presets, 24.